Buddha's Brain

"Peace comes from within. Do not seek it without." ~ Buddha

Meditation

Posted on July 9, 2016

When explaining meditation, the Buddha often drew analogies with the skills of artists, carpenters, musicians, archers, and cooks. Finding the right level of effort, he said, is like a musician’s tuning of a lute. Reading the mind’s needs in the moment—to be gladdened, steadied, or inspired—is like a palace cook’s ability to read and please the tastes of a prince.
Collectively, these analogies make an important point: Meditation is a skill, and mastering it should be enjoyable in the same way mastering any other rewarding skill can be. The Buddha said as much to his son, Rahula: “When you see that you’ve acted, spoken, or thought in a skillful way—conducive to happiness while causing no harm to yourself or others—take joy in that fact and keep on training.”
Of course, saying that meditation should be enjoyable doesn’t mean that it will always be easy or pleasant. Every meditator knows that it requires serious discipline to sit with long, unpleasant stretches and untangle all the mind’s difficult issues. But if you can approach difficulties with the enthusiasm with which an artist approaches challenges in her work, the discipline becomes enjoyable. Problems are solved through your own ingenuity, and the mind is energized for even greater challenges.
This joyful attitude is a useful antidote to the more pessimistic attitudes that people often bring to meditation, which tend to fall into two extremes. On the one hand, there’s the belief that meditation is a series of dull and dreary exercises, allowing no room for imagination and inquiry: simply grit your teeth, and at the end of the long haul your mind will be processed into an awakened state. On the other hand, there’s the belief that effort is counterproductive to happiness, so meditation should involve no exertion at all: simply accept things as they are—it’s foolish to demand that they get any better—and relax into the moment.
While it’s true that both repetition and relaxation can bring results in meditation, when either is pursued to the exclusion of the other, it leads to a dead end. If, however, you can integrate them both into the greater skill of learning how to apply whatever level of effort the practice requires at any given moment, they can take you far. This greater skill requires strong powers of mindfulness, concentration, and discernment, and if you stick with it, it can lead you all the way to the Buddha’s ultimate aim in teaching meditation: nirvana, a totally unconditioned happiness, free from the constraints of space and time.
That’s an inspiring aim, but it requires work. And the key to maintaining your inspiration in the dayto- day work of meditation practice is to approach it as play—a happy opportunity to master practical skills, to raise questions, experiment, and explore. This is precisely how the Buddha himself taught meditation. Instead of formulating a cut-and-dried method, he first trained his students in the personal qualities—such as honesty and patience—needed to make trustworthy observations. Only after this training did he teach meditation techniques, and even then he didn’t spell everything out. He raised questions and suggested areas for exploration in the hope that his questions would capture his students’ imagination, so they’d develop discernment and gain insights on their own.
We can see this in the way the Buddha taught Rahula how to meditate. He started with the issue of patience. Meditate, he said, so that your mind is like the earth. Disgusting things get thrown on the earth, but the earth isn’t horrified by them. When you make your mind like the earth, neither agreeable nor disagreeable sensory impressions will take charge of it.
Now, the Buddha wasn’t telling Rahula to become a passive clod of dirt. He was teaching Rahula to be grounded, to develop his powers of endurance, so that he’d be able to observe both pleasant and painful events in his body and mind without becoming engrossed in the pleasure or blown away by the pain. This is what patience does. It helps you sit with things until you understand them well enough to respond to them skillfully.
To develop honesty in meditation, the Buddha taught Rahula a further exercise. Look at the inconstancy of events in body and mind, he said, so that you don’t develop a sense of “I am” around them. Here the Buddha was building on a lesson he had taught Rahula when the boy was seven years old. Learn to look at your actions, he had said, before you do them, while you’re doing them, and after they’re done. If you see that you’ve acted unskillfully and caused harm, resolve not to repeat the mistake. Then talk it over with someone you respect.
In these lessons, the Buddha was training Rahula to be honest with himself and with others. And the key to this honesty is to treat your actions as experiments. Then, if you see the results aren’t good, you’re free to change your ways.
This attitude is essential for developing honesty in your meditation as well. If you regard everything— good or bad—that arises in the meditation as a sign of the sort of person you are, it will be hard to observe anything honestly at all. If an unskillful intention arises, you’re likely either to come down on yourself as a miserable meditator or to smother the intention under a cloak of denial. If a skillful intention arises, you’re likely to become proud and complacent, reading it as a sign of your innate good nature. As a result, you never get to see whether these intentions are actually as skillful as they seemed at first glance.
To avoid these pitfalls, you can learn to see events simply as events and not as signs of your innate Buddha-ness or badness. Then you can observe these events honestly, to see where they come from and where they lead. Honesty, together with patience, puts you in a better position to use the techniques of meditation to explore your own mind.
The primary technique the Buddha taught his son was breath meditation. The Buddha recommended sixteen steps in dealing with the breath [see bottom of page]. The first two involve straightforward instructions; the rest raise questions to be explored. In this way, the breath becomes a vehicle for exercising your ingenuity in solving the problems of the mind, and exercising your sensitivity in gauging the results.
To begin, simply notice when the breath is long and when it’s short. In the remaining steps, though, you train yourself. In other words, you have to figure out for yourself how to do what the Buddha recommends. The first two trainings are to breathe in and out sensitive to the entire body, then to calm the effect that the breath has on the body. How do you do that? You experiment. What rhythm of breathing, what way of conceiving the breath calms its effect on the body? Try thinking of the breath not as the air coming in and out of the lungs but as the energy flow throughout the body that draws the air in and out. Where do you feel that energy flow? Think of it as flowing in and out the back of your neck, in your feet and hands, along the nerves and blood vessels, in your bones. Think of it coming in and out every pore of your skin. Where is it blocked? How do you dissolve the blockages? By breathing through them? Around them? Straight into them? See what works.
As you play around with the breath in this way, you’ll make some mistakes—I’ve sometimes given myself a headache by forcing the breath too much— but with the right attitude the mistakes become a way to learn how your perceptions shape the way you breathe. You’ll also catch yourself getting impatient or frustrated, but then you’ll see that when you breathe through these emotions, they go away. You’re beginning to see the impact of the breath on the mind.
The next step is to breathe in and out with a sense of refreshing fullness and a sense of ease. Here, too, you’ll need to experiment both with the way you breathe and with the way you conceive of the breath. Notice how these feelings and conceptions have an impact on the mind and how you can calm that impact so the mind feels most at ease.
Then, when the breath is calm and you’ve been refreshed by feelings of ease and stillness, you’re ready to look at the mind itself. You don’t leave the breath, though. You adjust your attention slightly so that you’re watching the mind as it stays with the breath. Here the Buddha recommends three areas for experimentation: Notice how to gladden the mind when it needs gladdening, how to steady it when it needs steadying, and how to release it from its attachments and burdens when it’s ready for release.
Sometimes the gladdening and steadying will require bringing in other topics for contemplation. For instance, to gladden the mind, you can develop an attitude of infinite goodwill or recollect the times in the past when you’ve been virtuous or generous. To steady the mind when it’s been knocked over by lust or to reestablish your focus when you’re drowsy or complacent, you can contemplate death, realizing that death could come at any time and you need to prepare your mind if you’re going to face it with any finesse. At other times, you can gladden or steady the mind simply by the way you focus on the breath itself. For instance, breathing down into your hands and feet can really anchor the mind when its concentration has become shaky. When one spot in the body isn’t enough to hold your interest, try focusing on the breath in two spots at once.
The important point is that you’ve now put yourself in a position where you can experiment with the mind and read the results of your experiments with greater and greater accuracy. You can try exploring these skills off the cushion as well: How do you gladden the
mind when you’re sick? How do you steady the mind when dealing with a difficult person?
As for releasing the mind from its burdens, you prepare for the ultimate freedom of nirvana first by releasing the mind from any awkwardness in its concentration. Once the mind has settled down, check to see if there are any ways you can refine the stillness. For instance, in the beginning stages of concentration you need to keep directing your thoughts to the breath, evaluating and adjusting it to make it more agreeable. But eventually the mind grows so still that evaluating the breath is no longer necessary. So you figure out how to make the mind one with the breath, and in that way you release the mind into a more intense and refreshing state of ease.
As you expand your skills in this way, the intentions that you’ve been using to shape your experience of body and mind become more and more transparent. At this point, the Buddha suggests revisiting the theme of inconstancy, learning to look for it in the effects of every intention. You see that even the best states produced by skillful intentions—the most solid and refined states of concentration—waver and change. Realizing this induces a sense of disenchantment with and dispassion for all intentions. You see that the only way to get beyond this changeability is to allow all intentions to cease. You watch as everything is relinquished, including the path. What’s left is unconditioned: the deathless. Your desire to explore the breath has taken you beyond desiring, beyond the breath, all the way to
nirvana.
But the path doesn’t save all its pleasures for the  end. It takes the daunting prospect of reaching full awakening and breaks it down into manageable interim goals—a series of intriguing challenges that, as you meet them, allow you to see progress in your practice. This in and of itself makes the practice interesting and a source of joy.
At the same time, you’re not engaged in busywork. You’re developing a sensitivity to cause and effect that helps make body and mind transparent. Only when they’re fully transparent can you let them go. In experiencing the full body of the breath in meditation, you’re sensitizing yourself to the area of your awareness in which the deathless—when you’re acute enough to see it—will appear.
So even though the path requires effort, it’s an effort that keeps opening up new possibilities for happiness and well-being in the present moment. And even though the steps of breath meditation eventually lead to a sense of disenchantment and dispassion, they don’t do so in a joyless way. The Buddha never asks anyone to adopt a worldnegating— or world-affirming, for that matter— frame of mind. Instead, he asks for a “worldexploring” attitude, in which you use the inner world of full-body breathing as a laboratory for exploring the harmless pleasures the world as a whole can provide when the mind is steady and clear. You learn skills to calm the body, to develop feelings of refreshment, fullness, and ease. You learn how to calm the mind, to steady it, gladden it, and release it from its burdens.
Only when you run up against the limits of these skills are you ready to drop them, to explore what greater potential for happiness there may be. In this way, disenchantment develops not from a narrow or pessimistic attitude but from an attitude of hope that there must be something better. This is like the disenchantment a child senses when he or she has mastered a simple game and feels ready for something more challenging. It’s the attitude of a person who has matured. And as we all know, you don’t mature by shrinking from the world, watching it passively or demanding that it entertain you. You mature by exploring it, by expanding your range of usable skills through play.
 

“Darling, I am here for you.”

Posted on May 24, 2016

image
When I find myself in times of trouble, Mother Mary comes to me. Speaking words of wisdom, let it be.  And in my hour of darkness she is standing right in front of me. Speaking words of wisdom, let it be.
Through the years, many of you have been witness to the absolute love I hold in my heart for the song “Let it Be”.  It’s a song that has appeared in every chapter of my life (sometimes numerous times)….probably since before I can even remember.  The raw spiritual connection and emotional acceptance offered by the lyrics have been validated by so many experiences that have been shared by family, friends, students and teachers throughout the years.  Paul McCartney wrote this famous song about his own mother Mary, who died when he was just 14 years old.
Something deep inside us knows what we need in times of trouble. It turns out this is rarely ever good stern fatherly advice or even friendly advice. In our hours of darkness, broken heartedness, and sheer exhaustion, it turns out that we don’t need very many words at all. What we need is a non-judgmental and caring presence that lets it all just, be. What we need is a kind attention that can embrace the whole of what we are, including our pain and anger and confusion. An attention like a hug.
“Darling, I am here for you.” The great Zen master Thich Nhat Hahn composed this mantra of true presence.  Please consider saying this to yourself. Look in the mirror at your face in the morning and say it. Say it late at night when you can’t sleep. Say it all the time. Be extravagant in offering yourself the gift of kind attention. Let yourself be. Let yourself dare to know you are acceptable and welcome in this life, just as you are. In a teaching with His Holiness not long ago he said quite firmly, “If you make friends with yourself, you will never be alone. When you talk, you are only repeating what you know. But when you listen to yourself, you will always learn something new.”
“Darling, I am here for you.” Saying such a statement to ourselves can seem outrageously silly until we try it. Then it can seem revolutionary. Think of all the beings you have pinned your hopes on and maybe even tortured trying to get them to give you this kind, accepting attention. And here it is, whenever you need it. Personally, I have had great, life-changing experiences in my life. Yet the slow-motion revelation has been realizing that we can invite the healing power of presence into our lives….and in the simplest, most down to earth way.
It starts with giving up the war with what is. Just for a moment, give up the thinking and scheming…..and even in the midst of all that mental obsessing, come home to the awareness of the present moment, home to the awareness of the body, bruised and tired as it may feel from all that effort and neglect. Let it be. This can bring light to dark places. In Tibetan Buddhism, most specifically Dzogchen, this sort of self-awareness and acceptance is often referred to as Rigpa or “spontaneous presence, unbounded wholeness and awareness” and is considered “the energetic ground” or support for life. Without it there would only be Avidyā, or ignorance.….His Holiness often analogizes Rigpa as ”one’s true nature is like a mirror which reflects with complete openness, but is not affected by the reflections”…..there are no self-judgments.
This can seem a huge paradox. Our minds and bodies are very limited, and deep down we know this. Our cognition and perceptions have been hammered by conditioning. Even in the midst of our frantic mental posturing, we can physically feel how we spin and twist things. But sometimes we can stop for a moment, give up all that and open….trusting that we don’t have to solve everything and that more will be revealed.
One of my dear teachers once told me that he prefers the phrase “let it be” to “let it go” because letting go can feel like too much doing, inviting the ego to take over, ending the sense of being with life.  I immediately loved the phrase because it conveys a gentle movement of availability….allowing….acceptance.  If there is to be an answer to the mystery of our lives, if there is to be healing of the heartbreak and soothing of the trouble, it starts and ends here. We invite in the mothering attention. We let it be.
I have been blessed to study with the sweet and gentle Thich Nhat Hahn seven times throughout my monastic career….I once heard him say that understanding is really acceptance, and acceptance is love.  I’ve held this statement close to my heart for a long time and I believe it to be true. Acceptance is not resignation or passivity….it is the opposite of weakness. It is the quietly courageous movement of allowing what is, to be what it is…..understanding that what will be, will be…..and that more will be revealed.
It turns out that the greatest wisdom and the greatest love is expressed in small moments and movements, not in big sword-brandishing gestures. It does not require straining beyond our simple human selves, just the opposite. It involves daring to silently say “Darling, I am here for you. Let it be.”
 

Paradox

Posted on April 8, 2016

When your eyes are tired

the world is tired also.

When your vision has gone

no part of the world can find you.

Time to go into the dark

where the night has eyes

to recognize its own.

There you can be sure

you are not beyond love.

The dark will be your womb

tonight.

The night will give you a horizon

further than you can see.

You must learn one thing.

The world was made to be free in.

Give up all the other worlds

except the one to which you belong.

Sometimes it takes darkness and the sweet

confinement of your aloneness

to learn

anything or anyone

that does not bring you alive

is too small for you.

                                                                             ~ David Whyte (Sweet Darkness)

The Buddhist tradition is commonly associated with the cultivation of mental discipline, moral purification, and philosophical analysis.  Its social and political dimensions have often been neglected or regarded as the inadvertent byproducts of the inward path…..not so much anymore. Buddhist social teachings, rapid social change, cultural transformation and globalization in the modern world have engaged the evolution of the central concepts (impermanence, selflessness, suffering, interdependence), ethical styles (discipline, virtue, altruism, engagement), and themes (peace, justice, gender, ecology) in the rise of socially engaged Buddhism.
I recently gave a talk about Buddhist social change and secular ethics to a group of graduate students at the MIT Center for International Studies.  Here they were, some of the country’s best and brightest, from all walks of life and armed with knowledge and experience unrivaled by their forebears. And yet, as is often the case, I found myself barraged after my remarks with a flurry of despairing, almost cynical, questions.
“OK,” conceded a young woman, born in New Delhi and raised in California, “positive change has happened in our society, but that was before 9/11, before the Iraq War, before ISIS and the distracting threat of terror. Just look at the recent rollback of so many important social programs,” she bemoaned, “or the menace of global climate change. Do you really think we can solve these problems?” Like many of her peers, she seemed defeated before she’d even begun.
As I was leaving the classroom I found myself reciting Dickens: “It was the best of times, it was the worst of times.” Never before has there been a generation so well equipped to navigate the choppy waters of modern life. They’re smarter, more worldly, more technologically capable, and better informed than most adults I know. They have at their disposal all manner of tools, from technology like the Internet and computers to degrees from the world’s finest universities, each of which brings access to knowledge and power from which anything is possible.
And still, many of them feel disempowered and hopeless.
The contrast between the reality of the students’ immense capabilities and their perceived powerlessness is one of the great paradoxes of our times. How can it be that the best and worst, the brightest and darkest, sit side by side each so comfortably?
Paradox, I believe, is the cardinal truth of our age. We live amidst unspeakable terrors and yet have never been safer; the globalizing forces of commerce and communications have given rise to a grassroots surge toward localism and self-reliance; rural communities are embracing dense settlements and vibrant downtowns while cities are restoring long-neglected green spaces and celebrating rural things, like farmers’ markets. The list goes on.
Paradox is really just another name for the tension that resides in all of us, the contradictory impulses and beliefs that can alternately deflate or invigorate us. It is, at bottom, a creative tension that, like a motor, propels us from one state of being to the next, making the very act of change possible, if not inexorable. Paradox is the corner about to be turned.
The magnitude and complexity of today’s challenges are real and formidable. But so is our ability to meet them head on, and that ability is only increasing. The question is, will we allow ourselves to be defeated by our paradoxes or energized by them?
Follow

Get every new post delivered to your Inbox.

Join 36 other followers